Combating mediocrity in the modern world…

Posts tagged “silver

Tips for selling on ebay

Well, I’ve been doing a bit of research into selling silver items on ebay and have noticed a few things which may help to maximise the final valuation on listings. I’m not sure about the psychology behind it, having read a couple of academic articles about the psychology of selling on ebay.

I’ve sold a few things on ebay in my time and have put starting prices to reflect an absolute minimum that I would want to accept for whatever the item is (I sold a lot of camera lenses in the past and am currently listing a few smaller pieces of silver). I recently sold a C19th mahogany scotch chest which I just needed to get out of the house. I was going to get rid of it to a charity shop which sell large pieces of furniture but instead thought I would list it up at 99p start. I thought that whoever would collect it would be doing me a favour so I wasn’t really all that bothered about getting much cash for it. By the end of the auction, it had 60 watchers, the page had 350+ views and it went for about £90. That’s not too bad, considering that I wouldn’t think it would attract much attention – the chest was is fair condition, but it wasn’t anything special.

While I was listing my items yesterday, I decided to start them at 99p each. Anyone interested can see my listed items here. Having finished listing them I had a quick look at one of my saved searches for hallmarked silver. There were quite a few big lots which were going for some good money. I had a look at the bids and lo & behold, the seller had started them all at 99p. These were lots which were worth a few hundred pounds. And the final prices were in the hundreds of pounds. Now, they were very good lots. Museum pieces, some of them, so not in the same league as my little list. The lesson that I found very hard to learn was that if you’re trying to sell a high-value piece on ebay, it’s a better idea to list it with a very low start price than the minimum price you’d like to get.

In the past I have started items out at something near their actual value and found it hard for them to get started. Maybe the very low start price gets people interested and encourages them to start watching and then bidding. Once you have their interest, they become involved with the auction and find it easier to bid and easier to bid to higher levels. This is just a little theory of mine and I will find out at the end of the week whether my approach has worked. Of course, in the true spirit of science, I’m going to say that “more research needs to be done”. Here’s hoping that my theory works…..

Welsh Pottery and Antique Madness…

Well it looks like this week is going to be an interesting one for the antiques diary. I’m off out to Bonham’s in London (I’m actually not sure which branch…) for a book launch and lecture on early C19th Welsh Pottery. Jonathan Gray, a colleague of my wife’s, is an expert on Swansea pots and is launching his new book, “The Cambrian Company, Swansea Pottery in London 1806-1808″ and we have an invitation to the event. He recently launched the book in the US market at Christie’s in New York, which was very well-received.

I have to admit that I’m not very knowledgeable about Welsh Pottery. It’s quite a specialist area of expertise and seemingly very collectible. I have a copy of the book on order, which I will be interested to have a look at. If you’re interested in getting hold of a copy, you will be able to get it online from at some point in the near future. The website isn’t up and running just yet, so if you’d like a copy, you can always send me a request and I will pass it on to the author… In the meantime, I’ll post a review of the book launch and lecture soon.

I have a couple of pieces of Silver which I'm hoping will do well

Saturday the 4th of February sees another auction at one of my nearby auction houses, P.F. Windibank. I have a couple of pieces of silver in the auction this time, which I’m hoping will do well: a hallmarked George III Silver creamer, which I think is a fine piece of work, and two pieces of Richard Comyns hallmarked silver – an oval tea caddy and a round salt. I’ve been to this auction house quite a few times but only as a buyer. This is really my first proper foray into selling at auction. I say “proper” as I have sold at auction before, but it was only a small piece of pottery which didn’t cost much (and equally didn’t make much!). This is the first time I’ve properly sought to sell something with the express intention of making a profit, so it is my first foray into trading at auction.

Of course, this all sounds very charming and along the lines of the BBC’s Bargain Hunt programme. I think the reality of antique trading at auction is something quite different. For a start, you need to take into account auction fees, which seem to only rarely be mentioned. When buying, you have to account for anywhere between 12.5% and 25% buyers’ premium on top of the hammer price. There is then VAT (currently charged at 20%) charged on the buyer’s premium. When selling, you also pay commission (plus VAT) on the hammer price and there may be a few other costs involved as well. Most auction houses will value your items free of charge, so that needn’t necessarily be something to account for. At Windibank’s there is also a charge for including photos and description of the items on the online catalogue (just a small, flat fee) and a 1% fee of the hammer price to cover for insurance.

There's always a degree of uncertainty when you sell at auction

Once you include fees, you’ll see that it can be quite difficult to make any profit by buying and selling at auction. I suspect that dealers source their items elsewhere (for example, house clearances) and make their profits by selling directly to their clients, or perhaps retailing to the public. I simply don’t see how you’d be able to make enough profit otherwise. The other issue with selling at auction is that there’s no guarantee what price you’ll receive. The estimates for the two lots which I have put into the auction are realistic, but a lot lower than the price at which I bought them. Having a bit of knowledge about the auction market, I’m confident that they’ll exceed their estimates by quite some way, but there’s no guarantee of that. There’s always a degree of guesswork involved in selling at auction. This being the first auction of the new year, it could go either way; there are fewer silver lots in the auction which could mean that they stand out a little better than usual. Equally, that could mean that fewer buyers are drawn to the auction. Buyers might just be recovering from the financial hangover of Christmas and may be willing to bid, but there may be a few buyers who are still paying off the costs of the holiday season. There are so many variables that it’s difficult to gauge how it’s going to go. I must be bloody insane to be putting my neck out like this!

Useful Antiques Books

Well, I’m still getting used to blogging on WordPress, but while I get a few ideas together, I thought it would be helpful (and easy from my point of view) to throw a few links together with some antiques books which I’ve found useful. It’s filler in terms of blogroll, but hopefully you’ll find these links and descriptions useful. The links lead through to pages, but I believe these are all published internationally and should be available elsewhere…

Millers Antiques Encyclopedia is a very useful reference and introduction to basic antiques knowledge. It covers all of the essential categories (furniture, glass & pottery, silver, and so on), describing periods and their related styles. A very helpful start.

Jackson’s Hallmarks (Pocket Edition) is essential for anyone wanting to date and identify pieces of silver from the UK and Republic of Ireland. It is very clear and easy to use. It may not have exhaustive lists of silversmiths but it is the most useful for identifying dates of assay. It lists cycles of date hallmarks clearly, running from the very first hallmarks right through to the 1990s (when the date letter’s inclusion became elective rather than mandatory). You can find a couple of useful links for finding silversmiths on my links / resources page.

Jackson’s Silver and Gold Marks is a much larger volume, and I find it a little more difficult to use than the pocket edition. It’s laid out in a very different way which seems a lot less instinctive to my modern tech-age brain. Its use requires a lot more cross-referencing between the index and content than the pocket edition, and it doesn’t give more modern silversmiths (only listing into the very early 20th century). Having said that, it is useful for “proper” antique pieces of silver and is quite a heavy tome. While I certainly use the pocket edition more often, I do occasionally find myself turning to the masterwork, hence its inclusion here.

Miller’s Antiques Handbook and Price Guide is published every year. I’ve not usually bothered to buy these every year, but I have bought the current (2012-13) issue and am delighted with it. It has changed its format from the older copies which I have, becoming more of a handbook rather than just a price guide. It features reviews of how particular markets are performing, pieces to look out for and “case studies” of particularly fine examples in each of the categories. In comparison to the older format, they’re obviously making a concerted effort to offer more useful descriptions, rather than splattering scrappy photos onto a page with a handful of words and a price. I will certainly be buying a copy of this every year, based on its current format.